Coral, 2008, Zebra wood, Plywood, Gold Leaf, 18 X 18 X 20 Inches



Sasati, 2003, Mahogany, Leather, 17.75 X 15 X 15 Inches



Found Room, 2009, Plywood, Gold Leaf, MDF, Wenge, 71 X 71 X 146 Inches



Autumn, 2004, Walnut, 21 X 46 X 29 Inches

Taeyoul Ryu


The Past and The Future 1, 2009 Spray paint on Canvas 145.5 X 112.1 cm



The Past and The Future 2, 2009 Spray paint on Canvas 145.5 X 112.1 cm



Eternal Echo, 2012 Watercolor on Paper 24.4 X 34.4 cm

Yoonhyup (Born. 1982, South Korea / New York)

Currently based in Seoul and New York City, Yoon Hyup is a Painter and Designer rooted in fine arts, traditional Korean culture and the sub-cultures of Seoul.

He began painting in his early twenties, inspired by aesthetics of Cubism. Extending his visual lexicon using multi-layered, solid lines and single plane figures, Yoon Hyup has continually developed his work on multiple mediums. From street art to art exhibitions, video to collaborations with global brands, he has been actively approaching select opportunities to communicate with the public in as many diverse formats as possible. His work has established him as a key figure in Seoul's vibrant and rapidly changing underground art scene.

Yoonhyup Kim


Panca bar stool - Plank Products Manufacturers

Barstool, chromed plated metal structure, seat in plywood moulding, veneered in zebrano, ebano, maple or with plastic laminate.


Kim Taewan was born in Seoul, South Corea in 1972 where he graduated at the Hong-ik University. In 1995 he tranfers to Milan where he studies industrial design at the Istituto Europeo di Design and received his Master at the Domus Academy, Milan. After his collaboration with C.R.I.E.D. and Design Group Italia he now works for various companies in the Industrial and multimedial field such as: LG electronics Corea Imetec, Mentadent, Hyundai, Lego, Fiat-Lancia, Johnson Control, Plank, The Design and Corean Broadcasting Company.

For his design he obtains awards and special recognitions: Compasso d’oro (Piaggio); Intel innovation technology design prize; Flos/Osram; American Hardwood Export Council (award winner). He participates on national and international exhibitions as: Co-exhibiton with Arch. Simoni Micheli “Il sogno attorno al tempo”; Alter Point, hologram lamp “electric fisch”; Pitti Uomo, Firenze; Koex, Seoul.

Contemporary White is inspired by the gymnastic silhouettes in Olympic uniforms, Greek columns and Roman togas. The whole concept behind this unique collection is to embody modern holiness. Feminine draping of himation and togas meets the masculinity of Roman uniforms. The garments reflects contemporary style and the variety of asymmetric cuts creates a style that evokes aesthetic pleasure. The combination of chiffon and leather, fluid draping and staunch silhouette, light and dark colors, creates a rebirth of ancient holiness.

Eun-Jung has a background in fine art and next to her fashion design degree from ESMOD, Berlin, she also has a degree from University of Fine Art, Seoul.



"it was inspired by the film Battle Royale, explores the ideas of body accessories combined with outerwear using synthetic materials such as neoprene, cording, and rope. With the combination of color and shape, the collection portrays a futuristic narrative of dress".



Hee Lim is a Korean American designer based in Brooklyn, New York. In 2006 he moved from his hometown of Chicago to New York to attend Parsons the New School For Design where he received a nomination for Designer of the Year in his final year of study. He developed his professional career by working alongsided Wayne Lee of WAYNE as a design assistant and other numerous opportunities freelancing for private labels.

Hee Lim

Bhola Tower + Floating Rice Field for 500 people in 2050

Idea

Rising sea level by global warmingis one of the most imminent& influential environmental crisiswhich will inevitably force usto reshapeour life on earth.It has been mainly causedby us human-being, especiallywho are living in developedcountries with more economicpower & technologies to adaptthose changes systemically than the world's other poor countries, which are relatively less responsible for this ongoingclimate changes.(According to research, Unites states produced more than 20%, while Bangladesh did 0.2% of global carbon footprints.)Bangladesh is one of these poor countries which are highly vulnerable to sea level rise, because it’s located in the world’slargest deltas of Ganges River. Due to this geological location, 80% of Bangladesh is flatlands, and 20% of them are located1 meter or less above the sea level.



According to research from UNEP, whose expected rise number is the most extreme case,there will be 17 million environmental refugees until 2030 by 1.5 meter sea level rises, while there might be 0.3 meter risetill 2030 per World Bank’s analysis. As a result of this various range of possible scenarios, this project is assuming 1 metersea level rise in 2050 as a possible future scenario. The shrinkage of habitable land is inevitable result of the sea level rise.




Nonetheless, this is not the only problem by that.First of all, Salinity intrusion is expanding the affected area by salted water and it directly affects their agriculturalproduction(mainly Rice), which is almost the only way for Bangladesh people make their ends meet.  In addition to those,monsoonal heavy rain & frequent cyclones keep causing flooding, and it accelerate the Erosion speed of land, which people ofBangladesh can live & grow crops on.



The loss of fertile croplands by erosion and salinity intrusion, deteriorated exponentiallyby sea level rise, directly means the food security of Bangladesh can be totally collapsed. Migration to other areas or othercountries might be one option for them to survive; however, high population density of Bangladesh and very strict border controlsby India due to severe historical conflicts between two countries are making the possibility of migration very weak.



SITE

The site, Bhola Island, is one of the largest islands of Bangladesh. This island is experiencing most of the environmental difficulties,which were mentioned above. By land erosion, half of the island had been washed away since 1960 and sea level rise in the Bayof Bengal is accelerating those aspects with expansion of saline land & water, while the population is getting larger.



As one of possible future solution for those environmental innocent people in Bhola Island, I suggest a self sustainable floating habitat,which is consisted of 30-story Tower, 70 ft radius Wind Turbine, 700 ft radius Floating Rice Field, Desalination Facility &35 ft deep Central Fresh Water Reservoir below the tower, Constructed Wetland for Phyto-remediation to reclaim gray wateron each floor of residential unit of the tower, Fog-Net to collect water from the air and small harbors.

ksharch studio

Diviner detail 66" x 28" x 3" archival ink on hand-cut mylar 2010



Clarion 7.5" x 9" x 1" archival ink on handcut mylar 2004



Lepidoptera II 11 " x 8 " x 1 "  archival ink on hand-cut mylar 2005

A finely drawn line separates Imi Hwangbo’s sensual sculptures of the 1990s from the discretely dimensional objects that she makes today. The swollen forms of “The Waiting Chamber” series have given way to exquisite introspection. Before, she carved and modeled organic shapes in plaster, then cast them into red rubber vessels. Now she turns her drawings into vellum maquettes and achieves sculptural geometric designs from multiple layers of digitally printed, hand-cut Mylar.

constructed drawings Photographer: Michael McKelvey

Imi Hwangbo







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