Dimension Finder 005, Photographic Print, 2007, Edition of 5

Dimension Finder 022, Photographic Print, 2008, Edition of 5

Dimension Finder 011, Photographic Print, 2007, Edition of 5

Project - Dimension Finder photographs

In Tractatus Logico•Philosophicus, Ludwig Wittgenstein said “the limit of my language means the limit of my world.” It means that our ability of conception stays under the linguistic limitation. For example, a person who is thinking with 100 words is hard to understand a person who is thinking with a thousand words.

The person with 1000 words lives in a different world than the person with a hundred words. It means that the range of understanding the knowledge and world depends on his language. A person who does not know ‘love’, ‘overflowing’, and ‘the world’ will never understand ‘the world of overflowing love’. He can not understand the meaning even though the world is overflowing with love, because there is no such a concept in his mind.

In a word, his world is confined and dark like in a well. Knowing a language deeply appears in a different type in the photo series of Dimension Finder and it is ‘seeing the world that can not be seen’. It is to give the enhancement of thinking to the viewers. It is a ‘drawing the limit in the distance’ as Wittgenstein said and in other words, enlargement of conception range. The enhanced conception does not stop there but rather enlarges its range continuously. The driving force is ‘curiosity’. Knowing is connected to another knowing. The development of thinking continues without stopping as long as it is started.

Beomsik Won

Jalouse Magazine April 2012



Ina Jang graduated with a BFA in Photography in 2010 and recently completed her studies in the MPS Fashion Photography Program from the School of Visual Arts.

Her works have been shown in numerous galleries and festivals internationally, including the Empty Quarter in Dubai, New York Photo Festival and Tokyo Photo 2011.

Over the past two years she has been nominated for seven different awards, including Print Magazine’s 20 Under 30 and Flash Forward 2011.

She was a Foam Talent and a finalist at the Hyères Festival 2011 where she returned to exhibit commissioned fashion assignment this year.

Her works have been published in The New York Times Magazine, Dear, Dave Magazine, British Journal of Photography and Time Magazine's Light Box.

Ina currently resides in Brooklyn, New York.

Ina Jang

To death, From the series 2010 , C-type Print, 160cm x200cm

Bordering North Korea #1  2008, c-type-print,  h: 102 x w: 127 cm / h: 40.2 x w: 50 in

Bordering North Korea #15 2008, C-Type-Print , h: 102 x w: 127 cm / h: 40.2 x w: 50 in

Only god knows 2010, c-type print, diasec, h: 136 x w: 170 cm / h: 53.5 x w: 66.9 in

Lee Jung was born in 1972 and currently lives and works in Seoul, Korea returning to Korea upon completed her M.A. in Photography from the Royal College of Art, UK. She also received her B.A. with honors in Photography from Kent Institute of Art & Design, UK and a B.A. with honors in Mass Communication & Journalism from Kyung Hee University in Seoul, Korea. Lee Jung most recently participated in 2010 Gwangju Biennale “10,000 Lives” under the direction of Massimiliano Gioni, the contemporary Korean photography exhibition “Chaotic Harmony” at the Museum of Fine Arts (Houston) and “Writing Paintings, Painting Words” at the Seoul Museum of Art.

Lee Jung

Corolla , archival pigment print

A study on the texture and form of flowers, rather than its colors.

Corolla is a series documenting the natural beauty of flowers by strictly studying texture and form, rather than focusing on color. A lot of my work has a concentration on nature and the outdoors but this was the first time where I brought the outdoors in and had full control of my surroundings. I wanted to photograph this series to show all the subtleties in the forms of flowers. When these flowers are stripped of color, there is a different sense of beauty conveyed through these gems of nature.

Daniel Seung Lee is a young photographer based in Los Angeles, CA who is just starting his photography studies at at the Art Center College of Design in LA.

Daniel Seung Lee

Sandy Kim is a photographer who lives in San Francisco. Kim uses various point-and-shoot cameras purchased at thrift stores, from Yashica T4s to Olympus Stylus Epics to her favorite Contax T2.

As an extension to Ryan McGinley's interview in this month's issue of Dazed & Confused, the photographer picks out his best-loved images by Sandy Kim, his favourite photographer from the current crop of young American talents.




Here are a few press photos I took for the band GIRLS. Their new album father son holy ghost is amazing.

Sandy Kim

Archisculpture 008, 2012, gelatin silver print, 180 x 120cm, edition 10



Archisculpture 006



Archisculpture 003

René Descartes claimed that on the whole, the design of the architecture built by one master is more beautiful and perfect than that of buildings by many architects. However, the purpose of the Archisculpture Project is to make a gigantic sculpture with a variety of building design characteristics by many different architects. This project could be described as a collage of a ‘Phantasmagoria’ that was discovered by Flâneur’s view of metropolis.
If there is the Punctum on photography, parts of architectures I chose here would be my real Punctum, and the fabrication of these forms artworks of the Archisculpture Project. Within this project, a variety of architectural elements are reborn as a gigantic and historic new sculpture. Therefore, this project is quite symbolic. The Archisculpture Project makes new stories, connecting every meaning of architecture, or makes comments or proposals by dismantling a cityscape, rather than just being beautiful as an artwork.

Beomsik Won

"No Sleep" is a series of photographs of abandoned mattresses found around New York City, though mostly in Brooklyn. The beds are sometimes seedy and sometimes luminous, pathetic, monolithic and architectural, strange, out-of-place and totally banal. I'm interested in how these beds, although mute, allude to all the things we do on them - sleep, dream, have sex. Dumped onto the streets of New York, the mattresses are impermanent memorials to the city's many private stories.

A monograph of this series, with an introduction by Jonathan Ames

Published by Kehrer Verlag, Heidelberg
Hardcover, 96 pages, 60 color ills. 8½ x 10¾ inches



Born in Seoul, Korea, Hee Jin Kang holds degrees from Yale University and the Royal College of Art. In 2002, she had her first solo exhibition at the Shine Gallery in London. Her work has been exhibited internationally, including at the Hayward Gallery in London, Sotheby's New York, the Musée de l'Élysée in Switzerland, and Culturgest, Portugal. Kang received a 2006 New York Foundation for the Arts fellowship in photography.



In 2008, she was awarded artist residencies at the Center for Photography at Woodstock and at the Anderson Center in Red Wing, Minnesota. Her work has been published in various magazines, including Blindspot, New York Magazine, Monthly Photo, Art Review, Vogue Hommes International, i-D, Tank and Harper's Bazaar Korea. Her first monograph, NO SLEEP, was published by Kehrer Verlag in September 2011. She currently lives and works in Brooklyn, NY.

Hee Jin Kang