Lighting Project Rice Noodle
Lighting Project Rice Noodle
Ribbon Stool, 2005, 22 L x 16 H x 11.5 W, Powder Coated Steel
Limited material to half sheet of 16 gauge steel. Limitation determined by human interaction assessiblity. Explored the behavorial tendencies of a sheet of steel and exploited its strength when giving it enclosed tight curves.
Embrace, 2005, 22 L x 22 W X 25 H, Pickled Birchwood, Laminated Cork, Fiberglass
To create a lightweight chair that is physically and visually light. The seat acts as a strechter and is simply screwed into from underneanth the frame.
Cup Me, 2006, 20 L x 20 W x 26 H, Maple, Basswood, Fiber glass
To create a chair where the seat, arms, back and front legs were one entity and back legs of a seperate material. The back legs are cupping the back while the seat is embracing the back legs. They work together to be functional.
Hyun Yoo
red is an chair that uses an innovative jining system and structure to allow flexible movement while maintaining it's astetethetic appeal. Half wooden panels are held up and joined with fabric in the middle which is laminated inbetween layers of plywood.
A pair of mini-pendants (6" dia.) Left: "Diva" Right "Debutante" Ki Charm Kim
portfolio
Roomscape choi junghwa, choi mikyung, nami makis
Choi Mikyoung from the furniture brand Roomscape planned and produced it. Like the motto of Roomscape that it was - 'spaces expressing the personality of life' - three artists of different personalities participated in the event.
Choi Mikyoung combined a realistic and traditional image with the Roomscape furniture as a concept of media conveying a past motive, while Choi Jeonghwa introduced a series of sofas and public chandeliers of diverse textures, while maintaining the basic furniture framework in terms of functions and forms. On the other hand, Nami Makishi produced some formative shelves relying on or attachable to the wall as a series of her hither-to office lines.
Modular Table Lava 86.4 x 86.4 x 72.4 cm
This table is designed for life on a moderate income and limited space, yet still tries to live a full life within means. 
This table has two functional modes: work /dining. A grid structure allows the placement of nine dual-function panels. Each panel has a "mood creating element" such as wine, flowers, and so on, and a flat surface on the other side. This allows the owner to use the table as a work surface during the day, and at night the panels are flipped and arranged as preferred.
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