Two Graces 
2007 , h: 120 x w: 140 cm / h: 47.2 x w: 55.1 in
Lightjet print, aluminum, acrylic glass

debbie han


Untitled, 2009



player 13, 2007



彌勒菩薩半跏思惟像、2008-2009

SCAI THE BATHHOUSE is pleased to present its first exhibition for popular young Korean artist Jeon Joonho. The exhibition, which is titled "Bless You" (a phrase used in the West when someone has sneezed), includes two new sculptures and one new video work in addition to a new edition of a sculpture that recently became the focus of a lot of attention when it was purchased by the Saatchi Gallery in London.



Playing, 2007, synthetic resin, wood, leather, 125 x 65 x 100


USB - Emerging Korean Artists in the World 2009


Existing in Costume 1 2007, C-print, 76.2 x 61 cms and 100 x 80 cms



Cinderella 2008, C-print, 180 x 230 cms and 120 x 150 cms, Edition of 3

Existing in Costume was made in response to Chan-Hyo’s feelings of cultural estrangement when he first arrived in the UK. As he says ‘When I was in Korea I had an admiration for Western culture. After arriving in England I began to realise that the relation between Eastern and Western culture was not the upper and lower sides which brought confusion about my identity. … I came to realise that as an Asian man there were many restrictions on entering Western culture. I felt that Asian men were not sexually attractive to Western women. I also believe that there is an unintentional stereotyping … and that the East has a feminine image. That is why I decided to become a noble woman of England. I try to become British just as a child pretends to be a mother by dressing in her clothes and making up with her cosmetics. The child tries to express its own existence as another person. The language of a child. In becoming a British lady, which may seem gauche, it is my language.‘

Chan Hyo Bae



0121-1110=1090515 2009, 210 x 178 x 116 cm



0121-1110-109082, 2009,  Stainless steel bolt, nails % wood 141 x 45 x 39 cm



0121-1000=1090519 2009 Wood, 180 x 60 x 180 cm

“I drive countless nails into wood, bend them, grind them and then burn the wood, making nails protrude and at the same time blackening its growth ring and natural colour. Glittering metallic nails on the black charcoal become ever more conspicuous. Through this process, I draw a picture on wood using nails”
Jae Hyo Lee

Jae Hyo  Lee



'human+love+light' installation at the garden of triennale


The installation of the korean artist Sung-Kuen Lee celebrates in Milan the opening of la Triennale new exhibition centre in Incheon, Korea.

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song for you  65×53cm oil on canvas 2008




Floating 112.1 x 112.1 cm Oil on canvas 2008

So Dam Lim







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